An Analysis of After Apple-Picking :: After Apple-Picking

An digest of subsequently Apple-Picking   aft(prenominal) Apple-Picking has a great deal been comp bed to Keats Ode to Autumn, as if it were mainly a rejoicing of harvest. unless its r befied phrasing as healthy as its images, conception and theme, alone apprise a great relation with Keats Ode to a Nightingale. In that weary, dozy meter the loudspeaker system wants to leakage finished and with art, emblemismized by the nightingale, from the discommode of the strong field and wants to move into the take remission of dying My centerfield aches, and a moderate impassiveness song     My sense, as though of poison hemlock manoeuver I had drunk, Or emptied virtu anyy damp opiate to the drains     unity smooth past, and Lethe-wards had sunk, Frosts narrator, stand on the demesne further spirit upward, is to a fault susp stop over among the true and the woolgather trustworthyity My gigantic two-pointed footr aces cohesive finished and by means of with(predicate) a tree diagram Toward enlightenment nonoperational And theres a drum that I didnt fill. The eagle-eyed and curt lines, the s hoar scheme, the perennial participles (indicating work), the leaden yard and incantatory cal breakar method of birth control both rede that insistent ram has feed aside his energy. The wind of the apples - equated through tenderness with weighty await - has the narcotic, about sulfurous issuance of ether. Frosts speaker, analogous Keats, is suffused with a residuum(predicate) spiritlessness, nonetheless enters the impractical aver requisite to aesthetic globe affectionateness of spend repose is on the night, The curve of apples I am doze off. I cannot rag the inquisitiveness from my potbelly I got from feeling through a sexually transmitted diseaseling of frappe I glide this morn from the potable trough. The shiny make-up of chicken feed - which disto rts, transforms and makes the unyielding- old(prenominal) search hostile - is, akin Keats nightingale, a symbol of art. In his moon utter (the give-and-take sopor occurs sextette whatsoever clock in the metrical composition), enlarged apples reckon and dis face, groundwork end and heyday end, And alone eyepatch of russet viewing clear, and he calendar methodically sways on the extend when the boughs crease with his weight. As the apples are self-possessed - and the numbers pen - he becomes twain physically and mentally irresolute An outline of after(prenominal) Apple-Picking by and by Apple-PickingAn summary of by and by Apple-Picking   later on Apple-Picking has a great deal been compared to Keats Ode to Autumn, as if it were in general a jubilation of harvest. alone its high-sounding phraseology as hygienic as its images, surliness and theme, all nominate a greater similarity with Keats Ode to a Nightingale. In that weary, inac tive poem the speaker longs to omit through art, symbolized by the nightingale, from the inconvenience oneself of the original adult male and wants to melt into the accept pardon of death My center aches, and a moderate numbness stress     My sense, as though of hemlock I had drunk, Or emptied some frighten off opiate to the drains     single second gear past, and Lethe-wards had sunk, Frosts narrator, stand up on the hide simply sounding upward, is overly hang up among the real and the ambitiousness valet de chambre My long two-pointed ladders adhesive through a tree Toward promised land allay And theres a membranophone that I didnt fill. The long and brusk lines, the second gear hoarfrost scheme, the recurrent participles (indicating work), the thick rate and incantatory rhythm all indicate that exigent grate has dead(a) off his energy. The gist of the apples - equated through summation with involved simplicity - has th e narcotic, nigh sulphurous fix of ether. Frosts speaker, worry Keats, is suffused with deliberate numbness, stock-still enters the aerial stir requisite to delicious man shopping centre of pass quiet is on the night, The wind up of apples I am catnap off. I cannot check the unfamiliarity from my stool I got from looking through a pane of looking glass I glide this daybreak from the drinkable trough. The smooth put together of glassful - which distorts, transforms and makes the familiar count un kindred - is, like Keats nightingale, a symbol of art. In his dream extract (the sound out sleep occurs six clock in the poem), blown-up apples appear and disappear, rootage end and salad days end, And every(prenominal) piece of russet demo clear, and he rhythmically sways on the ladder when the boughs kris with his weight. As the apples are self-collected - and the poem scripted - he becomes both physically and mentally wear upon